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Bloomsbury Medieval Studies provides numerous ways with which to explore the fascinating topic of queenship from a global perspective: from articles and book chapters that place this concept in its historical and cultural contexts, to case studies of specific powerful women of the period and depictions of queens in works of art.
The study of queenship brings together the biographical study of the lives of royal women with an analysis of their agency and activity. Queenship scholars draw on a number of different disciplines including history, literature studies, art history, politics, gender studies, archaeology, and religious studies in order to thoroughly scrutinize the wide variety of evidence from the lives of royal women.
Tamar the Great (born ca. 1160, r. 1184–1213) ruled the medieval kingdom of Georgia at the height of its political power and cultural influence. Tamar has been neglected in historical works outside of Georgia, particularly in western languages, but scholars have recently begun to investigate her reign, examine her alongside other monarchs and speculate about the factors that enabled her success.
Before Wu Zetian’s reign (690–705) no woman had ever dared to present herself as emperor. She was the first, and last, woman who not only played a patriarchal role, but who convinced her vassals that she deserved the “Mandate of Heaven” (tianming 天命).
Eleanor of Aquitaine (d. 1204) was one of the most powerful queens in medieval Europe as well as a noteworthy patron of the arts. Her spectacular life was marked with momentous events and renown, through which she navigated the complex terrain of going on crusade, dealing with divorce and remarriage, negotiating conflict with her second husband that would result in her imprisonment, and correspondence with key contemporary figures such as Bernard of Clairvaux and Abbot Suger.
The most notable amongst all of the royal women of the Sultanate of Delhi was the regnant queen Razia (1236–1240), who adopted the gender-neutral title of Sultan. Razia has a unique position in the history of India, as both the only regnant queen of Medieval India and woman to sit on the throne of Delhi.
Queen Kunigunde, wife of Holy Roman Emperor Henry II, is depicted in stained glass with a halo, crown and holding a sceptre. She is reported to have been politically active, taking part in Imperial councils and advising her husband. She was eventually canonized as Saint Kunigunde by Pope Innocent III in March 1200.